Antares Auto-Tune Evo is something helpful for expert pitch remedy. The live exhibitions by the craftsmen are only here and there as High quality as they can imagine them to be. What's more, when they need to move these show records they need them to refine and alter the tuning recurrence. Auto-Tune Pro is the most complete and advanced edition of Auto-Tune. It includes Auto Mode, for real-time correction and effects, Graph Mode, for detailed pitch and time editing, and the Auto-Key plug-in for automatic key and scale detection.

• Autotune Evo Antares Vst
• Antares Autotune Evo Crack
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• Signal Processors >Pitch-shifters

Auto-Tune has been the industry‑standard pitch‑correction tool ever since its 1997 release. Does the latest Evo version keep the competition at bay?

Graphical editing now includes note objects as well as curves, and object-specific settings for the Retune speed.

Love it or loathe it, pitch‑correction software is now a ubiquitous part of the modern computer‑based recording studio. Antares were pioneers of this technology and Auto‑Tune became a clear industry standard soon after its release in 1997. Of course, other companies were not going to let Antares have things all their own way, and alternatives from the likes of TC Electronic/TC Helicon and Celemony have certainly made their mark. SOS reviewed Auto‑Tune 5 in a head‑to‑head with Celemony's plug‑in version of Melodyne in the March 2007 issue (/sos/mar07/articles/at5vsmelodyne.htm), and Antares are now back with what is, in essence, Auto‑Tune 6. However, the new version is named Auto‑Tune Evo, and includes some significant new features.

All About Evo

Auto‑Tune Evo retains the basic dual‑mode operation of earlier releases. An 'auto' mode provides easy‑to‑use, real‑time correction options and, if the original performance is pretty good in the first place, can often do the job with the minimum of fuss. If the tuning problems are more significant, the 'graphical' mode provides tools for editing indvidual notes via curves and lines.

All these functions are retained in Evo, but they have been accompanied by some significant new features and a reorganisation of the user interface. The most obvious visual change has been the expansion of the common controls section along the top of the main window. This includes the return of the Tracking control: in Auto‑Tune 5 this had been relegated to the Options screen, a move which apparently proved unpopular with many users. In the native versions of the plug‑in, this common area now also includes formant and throat‑modelling technology derived from the Avox 2 plug‑in bundle (reviewed in the October 2008 issue). The controls are basic — in simple terms, allowing the user to adjust the resonant frequencies and throat length of the singer's body — but used sparingly, they can produce a subtle shift in the character of the voice.

Real‑time pitch‑shifting is also included within the common controls area and is available in all versions of Evo. In most other regards, the operation of auto mode remains as before, so existing Auto‑Tune users should find the transition a relatively painless one.

However, the changes are not merely cosmetic, and the underlying pitch correction engine has undergone a complete overhaul, to improve the end results and to take advantage of the increasingly powerful processing available in modern personal computers. The differences in the engine are significant enough that Auto‑Tune 5 and Auto‑Tune Evo are not interchangeable, so existing users will need to run Auto‑Tune 5 alongside Evo if revisiting older projects. Potential purchasers should also note that pricing of new and upgrade versions of Evo vary depending upon the format required.

Tuning & Retuning

The Option dialogue allows the size of the Evo window to be adjusted and keyboard controls set.

The most eye‑catching new features are within Evo's graphical mode, where two additions really stand out. First, as well as the existing curve and line editing functions, graphical mode now includes 'notes'. At first glance, one can't help but be reminded of the way Celemony's flagship product operates. However, while Evo's notes do share some of what Melodyne's 'blobs' offer, as outlined below, the detailed functionality is different.

The second key feature is the provision of object‑specific Retune speeds. This might not sound like such a big deal but, in terms of making the graphical mode easier to use, it is a significant change. The Retune setting controls how quickly pitch is pulled back into line with the target note. In previous versions, this was a global setting — easy to use, but not very accommodating when you had one phrase that required a fast Retune speed but another where a fast setting produced an unnatural correction. The Retune control could, of course, be automated in the host sequencer, but in Evo you can select sections of the performance (for example, a section that represents a single word or phrase) using the I‑beam tool and then apply a unique Retune speed to just that selection. This can almost be thought of as a halfway house between auto mode and the time‑consuming curve editing of graphical mode.

The 'note' objects now provide an additional option for graphical editing. Once the Track Pitch function has been used to capture the actual pitch of a performance (displayed as a red curve), clicking the Import Auto button will produce a green curve that shows how the pitch is being corrected by the settings from the auto mode window. However, if the Make Notes button is pressed, Evo generates note objects and a green curve that shows the pitch correction within notes and the links between them. Note generation can be done for a whole performance or just a selected time range, and the user can control how many notes are generated. If engaged, the Snap To Note button forces notes to centre their pitch on the nearest 'correct' note. The useful Show Lanes button can also toggle on and off a shaded lane display for each note (similar to that seen in most MIDI note editors) and this can make moving note objects to different pitches a little easier.

Once generated, notes can be adjusted in both length and pitch; as they are moved, the green pitch curve is also adjusted. This mode lacks the very detailed editing provided by manipulating the curves themselves or drawing your own pitch lines or curves, but in most cases it is a very much faster way of doing the bulk of the editing required. Incidentally, only one graphical editing mode is available at any one point along the timeline — curve, line or note — but they can be freely mixed and matched for different phrases within the performance. The new 'note' feature is a big plus in terms of ease of use and, while the options for manipulating pitch within and between notes are perhaps not as flexible as those found in Melodyne, it certainly takes a lot of the work out of graphical-mode editing.

We Are Evo

I tested the VST version of Auto‑Tune Evo with Cubase. It performed very well and certainly didn't seem noticeably more taxing on the host system than Auto‑Tune 5. The only technical issue I encountered was that some of the graphical-mode tools occasionally went AWOL, although this was simply resolved by engaging the 'Plug‑in Editors Always On Top' settings from within the Cubase Preferences / VST / Plug‑ins options.

Autotune Evo Antares Vst

Running Auto‑Tune 5 and Evo side by side suggested that any differences in the quality of the pitch correction are subtle when using auto mode, although Antares suggest that Evo's new engine does make a better job of poorer‑quality signals. For me, the real difference was in graphical mode, where the variable Retune speed and note editing made getting a natural result with more problematic material considerably faster.

For serious Auto‑Tune users (that is, those that regularly get beyond auto mode), I think the new graphical mode features will be very welcome, and make upgrading well worthwhile. In this regard, Evo is a significant step forward from Auto‑Tune 5 in terms of ease of use, regardless of any more subtle (to my ears at least) improvements in the quality of the pitch‑correction algorithm.

Good though Evo is, I suspect the advances will not be enough to persuade most existing Melodyne users to jump ship. However, for those looking to buy into the world of top‑of‑the‑range pitch correction for the first time, the choice between Evo and Melodyne is a difficult one unless you can spend some time with both products. Both are excellent and, for 90 percent of pitch‑correction tasks, I suspect either product will get the job done with a minimum of fuss. For my money, Melodyne still has a slight edge when it comes to more problematic pitch issues or creative re‑pitching of a melody line. However, with the new Evo note-editing mode, Antares have significantly closed the gap and, if your vocal is already decent, Evo's automatic mode remains the most straightforward means of tightening overall pitch.

Alternatives

The most obvious alternative to Auto-Tune Evo is Celemony's Melodyne, with the plug-in version now proving to be most popular. It lacks Evo's auto-mode ease of use, but its note-based graphical editing is both slick and very sophisticated. For Powercore users, the other obvious possibility is TC-Helicon's Intonator HS, which was reviewed back in the November 2004 issue, and the same company also have pitch correction built into a number of their hardware products.

Pros

• Graphical mode editing is much improved, with object-specific Retune speed settings and note objects.
• A range of welcome improvements have been made to the user interface.

Cons

• None, other than it still doesn't make my singing sound like Robert Plant.

Summary

Evo represents a very useful evolution of the Auto-Tune line, and is an obvious upgrade for existing power users.

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Test Spec

• Antares Auto-Tune Evo 6.0.7.
• Intel quad-core 3GHz Q9650 with 4GB RAM running Vista 32-bit, with TC Electronic Konnekt 24D interface.
• Tested with Steinberg Cubase 4.5.2.

If you’re looking for Autotune Vst or the way to download Antares Autotune free then you came to the right place! In this post, we explained how to download autotune vst for free.

For modifying different parameters of the audio signal, we have thousands of devices and software. These audio processing units like audio editors and many others have different application area. Also, they will alter either the digital or analog sound wave parameters.

Adding effects to the audio signals is one thing for which many useful devices exist. For examples, these effects include reverb, echo, noise canceling, filter, phaser, equalization and for creating many more effects.

This Autotune Evo software by Antares also provides Pitch correction VST for correcting the pitch and making it uniform across the audio signal.

Here are the few unique features of Antares Autotune VST Plugin:

• A New, Streamlined User Interface
• Classic Mode
• Automatic Key and Scale Detection
• Audio Random Access
• MIDI Parameter Control
• Auto-Tune Pitch Correction and Vocal Effect
• Graphic Pitch Editing
• Adjust Retune Speed, Vibrato, and Throat on Individual Notes

Download Antares Autotune 8 / VST Plugin

Recording music was quite an overwhelming task during 70’s since to get a smooth vocal intonation; the singer has to sing the song multiple times.

To fix this problem, the sound engineers invented a few devices, but they got the actual achievement only after the discovery of Auto-tune. Auto-Tune serves as the Pitch recorder and corrector highly used during music recording and live music performances. Fabricated by Antares Audio Technologies, Auto-tune launched for the first time in 1997.

With Auto-tune the fluctuating pitches and the lousy note of the singers while performing in the live music concerts is not a problem anymore.

For that matter, it shifts the audio tone to the nearest semitone which corrects the off-pitch notes of the vocal tracks. Additionally, it works when there is a need for distortion in the rising and lowering pitch of songs.

Auto-Tune can use as a plugin hosted on DAW during the studio recording, or it can work as a standalone device during live performances.

Versions of Antares Auto-Tune

After its launch in 1997 till now, Auto-Tune kept updating its features. Last year it launched its 8th version called Auto-Tune 8 which got quite an appreciation from the professional musicians.

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Auto-Tune 8 acquire the best features which make it working in the Graphic mode and Automatic mode. Also, its Low Latency Mode offers excellent pitch correction for high-quality sound during the live performances.

One can download the Auto-Tune licensed version from its official site in just a $399. There is an option of a free trial which will be valid for a few hours.

How Antares Autotune VST Works?

For the detailed knowledge of the Auto-Tune working, you may watch out for various tutorials present online. On the whole, it’s about selecting the right reference point for the music note or scale and the derivation rate for modulation.

You may adjust the derivation rate at times so that you receive a clean and seamless flow of sound. There is no limitation when it comes to the type of music it can edit. No wonder, it is the most widely accepted and used for getting perfect music.

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The upgrade in its features for time correction which makes the natural pitch correction. Furthermore, it has now Flex-Tune correction technology that helps musicians to extend their creativity.

It also provides with some more tools like formant correction and Vibrato Controls. Besides this Throat Modelling technology and the Humanize function are also its part.

Talking about the Humanize function, it controls the short notes distortion along with preserving the sustained notes for natural pitch variation.

Auto-Tune VST Plugin used by all the famous artists

Auto-Tune plugins will run correctly on various operating systems which includes Windows, Mac OS, and Linux. The world-wide artists like Snoop Dogg, Lil Wayne, T-Pain, Kanye West, Travis Scott, Lady Gaga, Future, Lil Uzi Vert and Migos use it during live performing or recording.

However, the software also got criticism and backlash in 2009 in the name of hindering uniqueness of every artist vocal. But, then many artists supported it by stating its enormous capabilities of enhancing creativeness in hip-hop and R&B music.

Antares Auto-tune 8 Video Tutorial